Browsing Tag

review

FOOD ADVENTURES, PAULIE SAYS

Un post vegano

De niña me daban “fuchi” los vegetales. Siempre me he considerado una persona melindrosa, no empiezo a comer hasta no sacarle cada trozo de cebolla a mi comida y no imagino mi vida sin nuggets de pollo.

Hace un par de años en un parque de la localidad durante una proyección cinematográfica conocí a Roy, amigo de la adolescencia de Ed. Es un sol, un excelente amigo y es vegano. No siento que sea cierto eso de “eres lo que comes”, es un pensamiento arcaico de mal gusto que nació con el fin de crear un sentimiento de vergüenza, pero si creo que conociendo la comida vegana, puedo llegar a conocer mejor a mi amigo y lo importante que es para él seguir ese estilo de vida.

Mi experiencia con platos veganos es muy, muy limitada. Antes solía visitar un restaurante vegetariano y era mega fan del gluten agridulce, hasta que mi cuerpo dijo “uno más y te mato”. ¿Intolerancia? No lo sé con seguridad pero tengo mis sospechas. Roy poco a poco ha derribado mis barreras culinarias de niña picky y le he dado la oportunidad al veganismo.
Con mucha emoción nos invitó a almorzar a su casa en compañía de sus gatos y puso en práctica sus dotes culinarios. Y me sorprendió tremendamente con su menú:

  • Moussaka
  • Tortas de garbanzo
  • Chutney de tamarindo
  • Limonada con jengibre, mastranto y raspadura
  • “Parmesano”


¿Mi elemento favorito? Las tortas de garbanzo. Las comería siempre, frijolera soy. La Moussaka de berenjenas estuvo deliciosa, me recordó mucho a las berenjenas gratinadas italianas y el chutney tenía un sabor muy hindú. Definitivamente un plato con sabores complejos y bien logrados.


Si son carnívoros y melindrosos como yo, denle una oportunidad a la comida vegana y vegetariana. Pueden llevarse una sorpresa contra todo prejuicio.

Si desean la receta de este menú para preparalo en casa, se las dejo luego del link. (créditos: Roy A.)

Continue Reading

FOOD ADVENTURES

Unagi

Tuve la oportunidad de ir a un Foodie Meetup cortesía de Degusta Panamá y para mi suerte era comida fusión japonesa.

Unagi lleva 4 meses en operación, y para el poco tiempo que llevan, me han causado una buenísima primera impresión con su menú de degustación preparado para los comensales. En Panamá hay lugares de sushi en abundancia, por lo cual un menú impecable y las buenas referencias son clave.

Nos recibieron con un Mojito(sin alcohol) a base de moras, yerbabuena, albahaca y limón. En lo personal no soy fan de los mojitos ni bebidas con sabores verdes, pero estuvo delicioso.

Luego, el primer plato acompañado de una copa de vino blanco italiano cual nombre no puedo recordar. Un “sample platter” que iniciaba el viaje dentro del menú. Sopa Misoshiru, gyosas de queso gouda y cerdo, rollo de tuna primavera con una salsa ponzu, ¿y mi favorito? El Ebi Yuti (camarón relleno con fideos fritos). Me comería como 10, así de tragona soy y lo bueno que estaba.

El trío de ceviches… Marisco mixto (cangrejo/surimi, camarón y corvina), pescado apanado y tuna tartare. El tartar era sedoso, casi como para limpiar el paladar. El mixto era un clásico. ¿Mi favorito? El frito, con su respectiva salsa de anguila.

Una vez terminada la degustación de ceviches, llegó el momento del plato fuerte. Tengo entendido que la porción era más pequeña por ser el menu especial, sin embargo no perdió la calidad del plato. EL FAMOSO SUSHI DONUT. Acompañado con un trio de makis. Me hubiera gustado que tuviera una salsa, como la de anguila tipo drizzle arriba, pero tal cual estaba buena.

Me llamó la atención que utilizan un papel de soya en remplazo del Nori para algunos de los rollos, y lo tiñen de colores, supongo para darles un plus en el extenso mundo de los rollitos.

En este lugar tienen una iniciativa llamada Mini Susherito, donde niños pueden ir a tomar clases de cómo preparar sus propios rollos, que me parece fabuloso porque de niña me hubiese fascinado aprender.

Nos dieron la sorpresa e invitaron a una de sus estudiantes, quien nos preparó un rollo que no tenía NADA que pedirle a un rollo hecho por un chef adulto.

 

Y ya para finalizar, y QUE BUEN FINAL, nos sirvieron helado frito (unf, lo amo) y un mochi de fresa con fresas frescas, el dulce del mochi con el ácido de la fruta fresca era el balance perfecto.

Definitivamente regresaré por más mochi, helado frito y camarones rellenos. Y mojitos. Y rollos. Y rodaré si sigo hartando.

La cena fué una cortesía de Unagi y Degusta, pero mi review está basado en mi experiencia como foodie local. Unagi está ubicado en Balboa Boutiques, 2do piso, Ciudad de Panamá.

FOOD ADVENTURES

Caliope

Yesterday I flew in from my Disney trip, and to my surprise I was being emailed about being chosen for a fancy course tasting dinner courtesy of a local phone company I am NOT affiliated to yet still managed to win over a story on how I lost a tooth to a Jolly Rancher at a restaurant when I was a kid. Thanks though! and it was TODAY. Ed is also currently traveling so I took my mom as my date.

According to Wikipedia, Calliope is the muse who presides over eloquence and epic poetry; so called from the ecstatic harmony of her voice. She is spoken of by Ovid as the “Chief of all Muses.”

img_4987-1Caliope, a Farm-to-Table fine dining restaurant is located at Casco Antiguo (the old quarter) right next to this popular venue called Teatro Amador. They offer valet parking for $5, which I find a bit steep considering my car was parked right at the curb and not a private parking lot like previously told as I handed in my keys. Could’ve done it myself, you know?

On to the restaurant… It was fancy and breathtakingly beautiful.

Before heading there I did a bit of research and found it was rated as Panama’s #1 restaurant on Trip Advisor. And it generally had excellent reviews on other platforms. Their cuisine style is said to be Mediterranean Fusion and they offer appetizers, entrees and a wide selection of deserts, and individual prices on their menu range from $3 to $35. I was greeted by a very attentive staff and seated in a table for two next, and offered drinks. I had a Cosmopolitan (spur of the moment) and my mom had an Amapola. Then, the deliciousness took place when our first course showed up.

Portobello, Cremini and Champignon cream with rosemary, salt and ginger infused cream. Great texture and I was told it would open my appetite. Gurl, you clearly don’t know me!

Pickled eggplant, fine herbs butter and artisanal bread

img_4984Crudo del Mar: Jack fish slivers (corvina) with citronette, caramelized onion jam, melon sherbet and bread tiles. I almost shed a tear on how beautiful it looked and how amazing it tasted.

img_4983Wonton ravioli stuffed with duck ragu, fontina cheese foam, bechamel and bacon crumble

Beurre blanc trout with diced bread croutons on a bed of sauté potatoes

Mango sherbet for palate cleansing

Cinnamon infused Catalan cream with caramelized raspadura (unrefined brown sugar)

img_4993

Mago Montii being a good sport and letting me take a picture for my ~humble~ blog post

To end our dining experience, because all good things must come to an end…we had a magician wait for us on the ground floor right before we exit the building.

I was too amused to snap any photos during his tricks, but I was impressed! He did a few simple tricks with red foam balls that I am still trying to find some logic to. I should’ve asked if he could make a Pug appear from thin air but I guess a different kind of sorcery would be required.

Life has been full of magical moments lately and tonight was nothing less than that, literally. Tonight’s dinner was sublime, every course was absolutely delightful and it was a refreshing Friday night for sure.

If you’ve got a restaurant you’d like me to review, I’ll do it in exchange for some tasty food. Opinions on this blog are of my own and I was not paid to advertise anyone, their services and/or products.

 

EDGAR SAYS, NERD SPOT, POPCORN TIME

In review: X-Men: Apocalypse

The first act of 2016’s X-Men: Apocalypse is so palpably dissimilar to the rest of the movie, that it should be considered a different film.

The first 30 minutes of Apocalypse are not a good movie. It’s passable at best, and clearly aimed at millennials almost exclusively. From the clearly tacked-on-by-a-script-doctor narration at the very beginning (about human flaws in superhuman beings), to the relentless barrage of blurry 60 fps frames, the third installment in the First Class trilogy starts with disappointment. Initiating with a confusing sub-plot full of already-developed characters that are consequentially inconsequential to the viewer, the film shoves En Sabah Nur’s transference ceremony to the audience amid a grand Egyptian setting that tells us in medias res that Apocalypse spent most of his story buried underground while “wreaking havoc throughout human history”, only to be awoken by the magnanimous power of daily sunlight.

Meanwhile, Magneto has adjusted to society, leaving his tragic past behind, using no mutant powers and no mutant name, while operating low key as a construction worker in Poland. Because this is an X-Men film, there has to be nostalgia, so naturally, it’s set 10 years apart from its prequel, as that prequel before it did. And because Magneto is Michael Fassbender ,and it’d be a sin not to overuse him as an actor, we need to see Magneto cry indignant tears of rage against an unjust universe. From a combo death that’s pathetic in every way, the Villain of the movie reloads in full form, portrayed by Oscar Isaac, whose only acting fault is that he can’t act what the script and direction don’t give to him.

Overall, though, X-Men: Apocalypse is a good movie, and the line can be sort of crossed around the first genuine line of dialogue between Moira and Charles regarding how the CIA would kill for Cerebro.

Following this quality of film-making, Singer raises his Apocalypse from the ashes until it soars as fan-favorite Jubilee remains yet un-showcased, but most other characters develop as quickly as teenagers. Some essence of First Class and a considerable essence from Days of Future Past permeates through this work, which combines Fassbender’s and McAvoy’s classic style of elegant theater school with a touch of the hip, the fast and the Quicksilver-paced. The movie isn’t tone-deaf as much as clearly stitched together by many different teams, minds, and cooks. This results in a work that’s polarized within itself yet ultimately redeemed by veteran filmmaking.

Also following Days of Future Past’s thematic relic, the fate of the Mutants can be determined by what the news media say about them. Guided by news media, Raven Mystique asks Prof. Xavier for help in rescuing her only other true ally: Erik Magneto (meaning both had left mutant life behind but were forced back into it). Thankfully, this touching character interaction is mirrored adeptly through Cyclops and Jean Grey, two characters who are much younger but who could also destroy the whole world by themselves. Starting from the death of Xavier’s favorite tree by his newest rising star, coursing through a sibling legacy to avenge, and ending as sloppily as Angel appeared, became Archangel and then ???, the film sort of just ends. It’s a tribute to entropy’s rapid decline. But the movie finishes with a strong portrayal of both Charles Xavier and Magneto, probably the most important constant in the trilogy. To be fair, this relationship never faltered in the movie, and its pace was appropriate and suspenseful enough for its source material.

Something to condemn was how relentlessly aggressive its marketing campaign ended up being, slapping YouTube ads with lines barely present in the movie (Apocalypse could control literally none of the Mutants). But its punches were so deservedly epic that Weapon X’s appearance wasn’t even gratuitous. Phoenix’s tease wasn’t even cryptic, and Charles Xavier was made of admirable star dust, challenging the Mutant epitome of Natural Selection itself.

From a first act of mismatched editing, poor writing and bland cinematography, to a second act of superb improvement, the film touts that only the strong will survive. Surely so, the film stands up from its crippled position in order to place the man who “wanted students, not soldiers” in its altar to transfer all power to him. Being defiant by nature, he challenges this notion, urging all citizens of Earth to use their power for helping those who have none.

The third act in filmed in an IMAX-size format, and the tension is managed accordingly well. Only one horseman out of four goes full circle from hero, to villain, to redemption. Another one becomes one of the good guys out of admiration for Mystique, but the other two become brand fodder as they disappear into the sunset. I do think this is just one of many X-Men films to come, but certainly the last with the First Class cast. Film perfection is rare, and it should be preserved in memories, like when Charles asked Erik to find power between anger and serenity. He reminds him that through all the loss and tragedy, there is still good in the world. And if anyone dares take it away, there is only pity for the poor soul who tries.

Ultimately, the X-Men series is all about hope for a better future. Walking out of the movie, it’s easier to yearn for a world that returns to its natural roots, free from weapons and war, from discrimination and inequality, and from Fox vs. Marvel.

NERD SPOT

Elo A Triforce Heroes Review

Hey readers! We’ve been on a brief break but we’re back with more content for your delight and entertainment.  

Given the impending announcement for The Legend of Zelda at E3 in a few days from now, let’s review one of their latest additions to the Zelda franchise. 

As a character in the photo booth mentions in the game, kids today want things fast. Triforce Heroes represents a solid effort to deliver a multi-player experience to a franchise that’s known to embody a knight’s lonesome journey.

Made up of four moderately-sized stages, each level in the game relies heavily on co-operation to get every puzzle solved and every treasure chest opened. Featuring creative design and inventive gameplay, Triforce Heroes utilizes 3D to make the world dynamic and the platforms alive. The textures show an effort to reuse A Link Between Worlds‘s settings to expand the narrative into a different story.

Taking a brave departure from the usual world, Triforce Heroes takes place in Hytopia, a kingdom ruled by King Tuft, whose daughter, Princess Styla, has been deprived of her lush appearance. Condemned to wear only a black leotard, Link must enter the Drablands along with two heroic buddies. At its heart, the story takes the approach that’s probably the best one for a children’s game whose very premise is shallow: a person’s chosen appearance reflects their soul. Losing an outfit is on par with losing part of one’s identity, and the mark of the hero in Hytopia is an aesthetic one: sideburns, parted hair, pointed ears. Thematically, the story divides its elements into threes elegantly, and the characters show a burning desire to understand why things happen. A particularly helpful character wants mostly to find out the reason why a theft of style was the path taken, and with little more than a prompt to action, Link embarks on an adventure of frustration like the franchise hasn’t seen in years.

emotes

This game can’t be faulted for being easy. Because it’s not. Its levels may be short and simple, but the execution of every move requires some patience, well-thought timing, and, of course, style. Along the way, you’ll collect different materials that Madame Couture can use to stitch up a new suit for Link to wear. Each costume has a function beyond its aesthetics, such as enhancing items or performance. And this helps the game stay fresh. Its biggest source of staleness would be playing the same levels again just to complete every challenge, but the game is smart enough to change things around so that it doesn’t feel like Groundhog Day.

The game itself is quite fun, as Hytopia has moving characters with their own motivations, dreams, and fears. The place feels alive in many ways. The shop items change every day, children play game and share secrets, townsfolk tell stories and bards leave diary pages in the open so the plot thickens further. Even Styla leaves her room when her admiration for Link overrides her shame for feeling undignified.

Overall, Triforce Heroes possesses a quality that defines a Zelda game beyond all: it keeps you coming back. The challenge level guarantees that you’ll try most levels at least twice. And each enemy can be overcome in more than one way, forcing you to get creative with your play style. Some items are pretty tough to beat in single player mode, so Nintendo keeps its servers busy, allowing you to join strangers in the cutest communication mode I’ve seen in an online multiplayer mode: a set of emoticons Link can use to express ideas. You can either call the other players to join you at your location. You can tell them to use their item (only one item per player, you can’t finish a stage until all three players have their item). You can ask them to pick other players to form a totem. You can request for them to throw you so you can move on your own. You can warn them that what they’re doing is wrong or it’s taking them nowhere. You can cheer the team when morale is low or simply because you feel like it. You can celebrate when something’s done right. You can complain that something is frustrating you. And you can use your Zelda skills to traverse the varied landscapes that lead you to the Princess’s freedom.

ART, DESIGN + NICE THINGS, PAULIE SAYS

PUSHEEN BOX – SPRING REVIEW

Yesterday I finally received this ~bundle of joy~ and off the bat knew I had to show it off. This is my second Pusheen Box – a seasonal subscription box based on “that Facebook sticker cat” exclusive goodies. The one I received is sold out, but you can subscribe for the summer edition! (I wasn’t paid to advertise this box, in any shape or form, I’m just a humble, very enthusiastic fan and cat lady).

Screen Shot 2016-05-11 at 2.45.14 PM

Priced at $43.95 + $6 Shipping to the US per box, they claim its worth +$100 in stuff, plus you can’t really get most of them anywhere else. The one I will describe below is sold out, ordered it months ago…they actually have an automatic billing system after you purchase your first box.  I believe next box is scheduled for July so if you’re interested, I suggest you subscribe to their newsletter so you don’t miss out.

img_2305

So, let’s proceed to the box. You can scroll the pictures as you please in the gallery above. First of all, it’s probably the best designed subscription box I’ve ever received, given they transformed the whole packaging into a squared Pusheen. From the face, to the tail and paws on the bottom of the box. Two for you, Pusheen box coco!

This slideshow requires JavaScript.

The contents: it was packed. Each box comes with an information card. It consisted in an exclusive Baker Pusheen vinyl figure(around 4 inches tall), a Pusheen cookie cutter, an apron, an umbrella, 3 pairs of socks, 3 sticker sheets, a pin set, a key cap and my favorite: a Pusheen mini planter! I’m in love with the planter and headed out to get a tiny succulent right away (bedazzled with tiny golden rocks, in case you hadn’t noticed, I love golden odds and bits).  Loved the previous box (winter edition) but I feel this one suits me better.

Veredict: absolutely worth every penny. If you’re a fan of Pusheen, go for it. If you’re a regular cat lady like myself, go for it. It’s a lot of kawaii for $50 every few months and the best part is they’re things you can actually use and not only exhibit. It offers a good balance between decorative and useful stuff. Meow.

NERD SPOT, POPCORN TIME

Captain America: Civil War – Movie Review

Having only directed episodes for nine TV series and three TV movies besides one feature-length comedy, brothers Joe and Anthony Russo weren’t necessarily regarded among the best filmmakers of their time prior to Marvel Cinematic Universe’s Phase 2. But Captain America 3: Civil War leaves no excuse to disregard The Russo Brothers. Helmed by Disney, Marvel was smart enough to sign the siblings into both of the parts that will close the Avengers film series, concluding the era of superhero movies that so many skeptics are looking forward to seeing collapse.

latest-2In a time of readily available information, it’s becoming increasingly important to ask why in general. Not only in matters of questioning authority or finding oneself, but also in analyzing and thusly understanding the world we live in. Why are superheroes so popular? Why are they so hated by others in return? Why are love and hate of things mutually exclusive concepts? Civil War does not answer those primordial questions, but it does bring some fine quality entertainment for masses who enjoy mainstream accessibility.

Be it 3D, 4D, or good ‘ol 2D, Captain America’s final trilogy chapter closes so many loose ends and opens up so many new worlds of possibilities, in such carefully crafted ways, that even the most hard-hearted of purists would be delusional if they denied that Marvel actually makes good cinema that acknowledges the parts within its continuity.

Let’s start from the script. The very first slam superhero movies get is for being too formulaic, almost engaged in a tragically Oedipal romance with Joseph Campbell, immortalizing his name as the daddy of screenwriting clichés. Hero rises, falls, rises again. People weep in awe at the Phoenix and all ends as it started, only improved. But why is this bad? At one point does a story stop being full of conventions and instead become full of organic parts? My personal answer is that it isn’t. Superheroes are definitely a stage of film history (hell, Marvel was smart enough to divide it in Phases), and it will eventually end. But even the fall of its empire is entertaining to watch. After all, that’s all it’s supposed to be: entertainment. And entertainment itself is a human necessity. Ergo, superheroes are just a part of a human need.

Captain-America-Civil-War-Splashpage-TeamCap-Photo

Let’s move on to the film: everything the viewer wanted was delivered like a checklist. Anyone familiar with Civil War knows and expects a set list of things: Iron Man vs. Captain America, Black Panther, Spiderman, Ant-Man riding Hawkeye’s arrows, Ant-Man becoming a giant, a speech of planting oneself like a tree and telling others to move on, and so on. In various comic book iterations, both Tony Stark and Steve Rogers eventually die at some point, so the source material canon has some pretty high stakes raised already. But even if you know nothing of this movie and the above stated elements were spoilers to you, you’re in for a fun ride.

The marketing for the movie was exceedingly clever, down to the things that the studios didn’t even control: Batman v. Superman was definitely meant to be released earlier. And it was totally meant to be a much less entertaining movie (for one, it has less characters, it has a much more serious tone, and its intent is to bring some cinematic solemnity to the Justice League). Following Joss Whedon’s beloved method of quippy remarks, the characters in Civil War breathe like regular humans. They bleed much less than regular humans, but they do so nonetheless, and they complain, they hurt, they hesitate, they repent, they improve, and even though they don’t… spoiler… die at all (only ONE character with a known name and speaking role dies in the movie… if you solely count sequences more than five minutes long).

Civil War does many things right: it continues the storyline, mood, and settings introduced by its predecessor (in a world where, for instance, Iron Man 3 is so disjointed from Iron Man 2, this is particularly noteworthy). It introduces characters in the best way possible (Black Panther is the only character truly shown for the first time in film), and it gives just enough screen time to the many characters is crams together without turning it all into a mess. Where Dawn of Justice stumbled and struggled while building a fearsome villain, setting up sequels and putting one side of ideals against its opposite (I thing BvS did all those things well, but you could feel the work it took), Civil War maneuvered seamlessly with little more than a few seconds of awkward editing that is expected in action movies. At least for once, we’re getting a properly packaged product where every scene promised in the trailer is actually shown to us in the movie itself. That’s a relief nowadays (and we even get to figure out who the mysterious bald woman in the Age of Ultron is).

captain-america-civil-war-posterAnd the core of the movie itself is about minimizing damages: sure, superheroes will always cause deaths, as the nature of a hero is to challenge the very concept of mortality. Following the ideology that saving a few lives is ethically “more right” than saving nobody at all, the movie imploded its capacity of failure into enjoyable plotlines that preserve the magic we all love in cinema. No hero is tarnished in the movie. Even its main villain is given a bitterly heartfelt moment to tragically grieve his motivations into the audience, and into a character changed for the better as a result of this apotheosis (what defines a hero). This movie is about consequences, and the anti-hero’s journey is almost the same as the hero’s (watching an empire fall), the only difference is that the hero attempts to stray the least from the rules (even though the system descends into synonymous entropy that following rules in full results in not doing the right thing) while the anti-hero writes his own, and then ignores his own rules.

Certainly, the movie itself is not about opposing forces, about the impossibility of true neutral balance, or about the Confederacy raising musket bayonets against the Union, as advertised in the title and as the least clever parts of its marketing would have you believe. But it is about many other related things, and it feels real in a world with routine news of terrorist attacks, increasing climate change, and unending conspiracy theories by self-proclaimed clickbaity journalists. Civil War is a needed breath in superhero movies. It is a necessary conclusion to storylines left hanging by the company that keeps the dreams of mice alive. It is a fair product of sacrifice and hard work, mostly by the screenwriters, actor, directors, and even the audience. And it is a deserved moment in comic book history, where nerdy fans can see their haven immortalized in what is arguably the most complete of all art mediums. I keep saying “in this world”, because in this world the superhero is supposed to die any time. But mark by words, heroes never die.

 

Powered by themekiller.com